Soundshifter pitch stereo

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5,254 Re: Pitch N Time alternative Whichever version you get, don't pay full price. AudioDeluxe has Pitch N Time Pro and LE for $679 and $339, respectively.Here's a rundown of the differences between the Pro and LE versions. Looks like for straight-forward pitch and tempo changes, LE will perform the exact same as Pro. __________________ Pro Tools HD 12.4, Pro Tools "Vanilla" 12.4, Artist Transport, 2x Artist MixStudio Blue: RME UCX, Win7 Pro, i7 960, 16GB || Studio Green: RME Babyface, Win10, i7 7700HQ, 16GB 04-12-2014, 01:43 AM Member Join Date: Aug 2006 Location: Alabama, USA Posts: 4,024 Re: Pitch N Time alternative Nothing, (in my experience), stretches like P-n-T Pro. Nothing.Celemony for pitch, PnT Pro for stretch. __________________ Here I am,after time not long...and thankful for the break,What I found when I got there,was that I couldn't stay away! Hobo Shave! 04-12-2014, 06:04 AM Member Join Date: Dec 2000 Location: Detroit, Mi, USA Posts: 2,624 Re: Pitch N Time alternative Waves Soundshifter in graphic mode has been my AAX tool replacing PnT.However I do like and use P n T Pro in PT's 10and they do offer AAX64 upgrade it's just not on my shortlist with the wave SS softening the blow. 04-12-2014, 06:47 AM Member Join Date: Dec 1969 Location: Songwriter Gulch, Nashville, TN Posts: 3,529 Re: Pitch N Time alternative Waves SoundShifter won a shootout I did for changing pitch by quite a bit but only after up-sampling the audio to 96k. I almost didn't even bother

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Trying it because it is so old but I'm sure glad I did! 04-12-2014, 11:12 AM Moderator Join Date: Apr 2006 Location: Los Angeles Posts: 17,701 Re: Pitch N Time alternative I would give SoundShifter a go again, but that GUI bug is still wreaking havoc.. __________________ ~ tom thomasFormerly hobotomPro Tools Ultimate 2024 HDX Hybrid HD Omni and 192 I/Os Windows 11 Intel Hexcore i7 All Samsung Pro SSDs Ampex MM1200 2" 24 trk tape Outboard: UREI, Eventide, Lexicon, Yamaha, TC Electronics, Orban, ART, EchoAudio, Dolby, Hughes, API, Neve, Audio Arts, BBE, Aphex, Berringer, MOTU, dbx, Allison, etc.Plug-ins: Too many to talk about.www.metrostudios.com 04-12-2014, 11:57 AM Moderator Join Date: Mar 2001 Location: Vancouver, B.C. Posts: 13,611 Re: Pitch N Time alternative iZotope Radius, which is the algorithm found in X-Form, has always been my first choice for extreme pitch mangling.Shane __________________ Pro Tools Power User EditingGive your plug-ins a facelift...and skin 'em! __________________"Music should be performed by the musician, not by the engineer." Michael Wagener 25th July 2005, 02:59 PM __________________Pro Tools|HD Native 9.0.1 | Pro Tools|HDX 10.2 | Studio One | REAPER 4.22 | HD OMNI | HoboMac Pro 2.26Ghz Quad-Core | W7 Ultimate 64-bit 04-12-2014, 11:58 AM Member Join Date: Dec 1998 Posts: 1,086 Re: Pitch N Time alternative Nothing works like Pitch n Time for music. However, I have had decent results with X-Form (from Avid). SoundShifter as well on certain things.Also, nothing matches the standard Avid Time Compression/Expansion plug-in for dialog, not even Pitch n

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Rate –Timebase pair defines the speed of the oscillator, which defaults to a setting of 1 Hz Phase parameter allows for full control of the envelope's position, small variations, or anything in between Option to Enabling Smoothing, with Smoothing Time set in milliseconds/seconds Both settings can be automated and modulated, for controlling the sharpness vs. smoothness of each voice, for example by Poly Pressure (from the Expressions modulator), or any other source A Bipolar toggle (±) maintains the curve's shape but rescales it, so that the minimum value is -1 and the middle value is now 0 (zero) The modulator version of Curves also has standard LFO modulator options: Five Trigger Mode options, similar to other LFOs: Free - All voices play freely and never reset Note - Each voice resets to the current Phase when it receives a note Sync - Follows the relative phase (Phase + Global transport position) while transport is playing Grv (Groove) - Follows the groove-relative phase (Phase + Global transport position, including groove) while transport is playing Rnd (Random) - Each voice goes to a random position when it receives a note An Amount parameter controlling output scaling of each voice The Grid module version of Curves also has standard LFO module options: A stereo Retrigger In port, as well as a pre-cord to Retrigger on Notes A stereo Phase In port and input attenuator A stereo Rate In port and input attenuator A Phase Offset (R) control, for adjusting the right channel's phase in relation to the general Phase value New Polymer/Grid module: Scrawl (Oscillator) A freely drawable, segmented oscillator With anti-aliasing on the oscillator, to help make (almost) any shape work With all familiar oscillator module controls All the standard module pitch controls: Key Tracking pre-cord, automatically connecting note pitches to the pitch buss Numerator and Denominator controls, for controlling pitch via ratio A Pitch Offset, for adjustment in semitones A Detune control, for adjustment in Hertz, along with the Stereo Detune toggle for an inverse detuning of the right channel A Retrigger on Notes pre-cord, for reseting the oscillator's phase at note on The Polymer module version of Scrawl also has: Phase Modulation Amount attenuator (range 0 % to 800 %) to allow modulation from the Sub ⬆︎SYNC⬆︎ toggle to enable hard sync from the Sub The Grid module version of Scrawl also has standard oscillator module options: A stereo Retrigger. Soundshifter Pitch Stereo Free Download.zip Size: 53 KB Name: Size: Soundshifter Pitch Stereo Free Download S-360 Panner Stereo to 5.1 SoundShifter Graphic Mono SoundShifter Graphic Stereo SoundShifter Parametric Mono SoundShifter Parametric Stereo SoundShifter Pitch Mono SoundShifter Pitch Stereo Spring M S Spring Mono Spring Stereo Stomp2 M S Stomp2 Mono Stomp2 Stereo Stomp4 M S Stomp4 Mono Stomp4 Stereo Stomp6 M S Stomp6 Mono

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08-22-2006, 01:20 PM Pitch/Time correction going from 25fps to 24 fps Dear DUC,interested in different methods of pitch/time correcting when going from Video 25 fps to Film 24 fps in 5.1we´ve recently been confronted with results doing the 4% up-pitch from both the TC 6000 and the industry standard Dolby hardware box - both of them delivers severe artifacts, especially in the Lf and Rf channels -where the music is. Dialog (C channel) sounds good to my ears.are there any other methods that delivers a better result ?- I´m thinking offline (Audiosuite) pitchshifting, like Waves Soundshifter - some claim it´s not phase coherent and therefor not suitable for surround - I´ve used it on multimiked drumrecordings in Sync setting - with absolutely no phase problems though- others claim they´ve had good results with Serato on music and fx while doing the dialog thru the Dolby box.any opinions ?any other forums that deals with film post matters ?thanks 08-22-2006, 04:10 PM Member Join Date: Jun 2004 Location: Minneapolis, MN Posts: 4,858 Re: Pitch/Time correction going from 25fps to 24 f Hi David.first thing : did you verify that the speed needs to change? sometimes they do 'a second = a second' type of transfer. but it looks like, yes, you have determined you need to do this. just saying...second thing : you can change the speed and pitch of only the dilaogue and leave the pitch of the music alone (unless that freaks the director and composer out).third thing : waves soundshifter is very good. the Dolby Time Scaler box is designed for this kind of thing. so, you could do a combination. ... oh, you could try the new DIGI Time scaler shifter jobby.fourth thing : SRC trick for speed. 25 to 24 is a -4% move. so we have to pull down. so that you arrive at the right 48k, open a new session and import the session data from the 25fps session and select SRC on the tracks and choose 50k as the Source the Tracks are comging from. this will take care of the speed. you will have to pitch shift using your poison of choice.HTH. 08-25-2006, 08:50 PM Member Join Date: Oct 2002 Location: Los Angeles, USA Posts: 110 Re: Pitch/Time correction going from 25fps to 24 fps Did you have any problems with TC6000? I have one now and didn't do too many jobs yet but seemed good to me so far. I used to do pitch up with Dolby 585 with excelent results in 5.1 but not in Lt Rt. While not in real time Serato's Pitch 'n Time works great and it has a multi channel - phase related mode. Waves parametric Pitch shifter works good on Lt Rt tracks but it's only Stereo.Hope it works! 08-26-2006, 02:36 AM Re: Pitch/Time correction going from 25fps to 24 fps thanks for replying !Yes, we did have problems with both the TC 6000 and the Dolby box. The posthouse have made tests between the two

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Plugin allows you to delve into sound design with spectral processing capabilities for pitch shifting. If you’re aiming for a dreamy, almost out-of-body sonic experience, consider incorporating Spectral Lemuring into your DAW. This plugin lets you manipulate the spectral content of your audio, opening up possibilities for creating unusual textures, soundscapes, and effects.Exploring Popular Paid Options for Pitch Shifting PluginsWhile free pitch shifter VST plugins offer a great starting point, let’s look at some popular paid pitch-shifting VSTs. Paid VST plugin options often provide advanced features and capabilities that might be worth investing in:Pitch Shifting Plugin (Paid)PricingCelemony Melodyne 5Starts at £75LoopcloudStarts at £5.99/monthPhotosounder£56 / $79Serato Pitch ‘n Time ProPro = £660/ $799 / LE = £330/$399Waves SoundShifter£123 / $149Eventide H3000 Factory£286 / $349Eventide Quadravox£82 / $99Audio Damage Discord4£49 / $59Devious Machines Pitch Monster£79.99zplane Elastique Pitch 2£146.42Antares Auto-Tune ProPro = £327 / $399Soundtoys Little Alterboy£82/ $99FAQs About Best Free Pitch Shifting PluginsWhat is Pitch Shifting Software?Pitch shifting software is a type of plugin used within your digital audio workstation (DAW). It allows you to change the pitch of audio without affecting its duration. This lets you adjust notes, create harmonies, or generate special effects. Pitch shifter VST plugins have been used in music production for decades, and their signature sound is recognizable in many popular tracks. These plugins use digital signal processing (DSP) to modify audio, with some aiming for a natural sound while others embrace digital artifacts. What Does a Pitch Shifter Do for Vocals?Pitch shifter VST software is incredibly

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Includes the following plug-ins [PC and MAC versions]: Aphex Vintage Aural Exciter API 2500 API 550 API 560 AudioTrack Bass Rider Brauer Motion BSS DPR-402 Butch Vig Vocals C1 Compressor C360 Surround Compressor C4 Multiband Compressor C6 Multiband Compressor Center CLA Bass CLA Drums CLA Effects CLA Guitars CLA MixDown CLA MixHub CLA Unplugged CLA Vocals CLA-2A Compressor / Limiter CLA-3A Compressor / Limiter CLA-76 Compressor / Limiter Cobalt Saphira Codex Wavetable Synth dbx® 160 Compressor / Limiter DeBreath DeEsser Doppler Dorrough Stereo Dorrough Surround Doubler Eddie Kramer Bass Channel Eddie Kramer Drum Channel Eddie Kramer Effects Channel Eddie Kramer Guitar Channel Eddie Kramer Vocal Channel Electric Grand 80 Piano Element 2.0 Virtual Analog Synth eMo D5 Dynamics eMo F2 Filter eMo Generator eMo Q4 Equalizer Enigma F6 Floating-Band Dynamic EQ GEQ Graphic Equalizer Greg Wells MixCentric Greg Wells PianoCentric Greg Wells ToneCentric Greg Wells VoiceCentric GTR3 Amps GTR3 Stomps GTR3 ToolRack GTR3 Tuner H-Comp Hybrid Compressor H-Delay Hybrid Delay H-EQ Hybrid Equalizer H-Reverb Hybrid Reverb IDR360 Bit Re-Quantizer InPhase InPhase LT IR1 Convolution Reverb IR360 Convolution Reverb IR-L Convolution Reverb IR-Live Convolution Reverb JJP Bass JJP Cymbals & Percussion JJP Drums JJP Guitars JJP Strings & Keys JJP Vocals Kramer HLS Channel Kramer Master Tape Kramer PIE Compressor L1 Ultramaximizer L2 Ultramaximizer L3 Multimaximizer L3 Ultramaximizer L3-16 Multimaximizer L360 Surround Limiter L3-LL Multimaximizer L3-LL Ultramaximizer LFE360 Low-Pass Filter Linear Phase EQ Linear Phase Multiband Compressor LoAir M360 Surround Manager & Mixdown Manny Marroquin Delay Manny Marroquin Distortion Manny Marroquin EQ Manny Marroquin Reverb Manny Marroquin Tone Shaper Manny Marroquin Triple D Maserati ACG Maserati B72 Maserati DRM Maserati GRP Maserati GTi Maserati HMX Maserati VX1 MaxxBass MaxxVolume MetaFilter MetaFlanger MondoMod Morphoder MV2 MV360 NLS Non-Linear Summer NS1 Noise Suppressor OneKnob Brighter OneKnob Driver OneKnob Filter OneKnob Louder OneKnob Phatter OneKnob Pressure OneKnob Pumper OneKnob Wetter PAZ Analyzer Primary Source Expander PRS SuperModels PS22 Stereo Maker PuigChild Compressor PuigTec EQs Q10 Equalizer Q-Clone R360 Surround Reverb Renaissance Axx Renaissance Bass Renaissance Channel Renaissance Compressor Renaissance DeEsser Renaissance Equalizer Renaissance Reverb Renaissance Vox S1 Stereo Imager S360 Surround Imager & Panner Scheps 73 Scheps Omni Channel Scheps Parallel Particles Sibilance Smack Attack SoundShifter Sub Align SuperTap Torque Trans-X TrueVerb UltraPitch UM225 / UM226 V-Comp V-EQ3 V-EQ4 Vitamin Sonic Enhancer Vocal Rider VU Meter W43 Noise Reduction Plugin Waves Tune Waves Tune LT Waves Tune Real-Time WLM Plus Loudness Meter WNS Noise Suppressor X-Click X-Crackle X-FDBK X-Hum X-Noise Z-NoiseWith over 165 stellar plugins and more than 400 components, Mercury features more Waves in one package than ever before!From equalizers, reverbs, compressors and limiters to noise reduction, surround processors, modeled analog console modules, Signature Series collections and beyond, there has never been such a comprehensive collection as this. The Mercury bundle offers more effects, more channel components and more mixing tools than ever before in one place.You may also find more information about this product on manufacturer's website.You may buy Waves Complete 10 v2019 or download it from our website.This product was released

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And decided that the TC produced a better overall result (we´re dealing exclusively with the pith up 4% algorithm here). To my ears both of these boxes delivers unacceptable results - I have a debate with the posthouse on this. They claim that these artifacts is something I have to live with and I claim that there must be a better way. I´ve made pitchshifts for many years that sounds way better using plugins and other programs (Serato, Speed, TimeFactory and now recently Soundshifter) - in Stereo that is. The posthouse claims that it cannot be done because of the phase issue in surround (when musical elements or fx are present in both L,R front and back for example) - that is has to be done in realtime using one of these boxes. I say that there has to be a workaround (it IS 2006 for god´s sake).The artifacts are most noticable on transient material where "flams" will be added randomly - it´s like the machine tries to catch up or something, it seems to be going on all the time but when this happens at excactly the same time as snaredrum hit for example it becomes very audible indeed - it´s like:- what was that ?, that extra drum hit wasn´t there before, and it does destroy the groove aswell - like if you lift out a small fraction of audio from a section and glue it back together again, you loose the feel. In fact I was convinced that something was wrong with the clocking or something but everythings been checked and checked again - then posted to another postfacility for a A/B test using the same method with the same results.Someone said that Seratos plug now comes with a multichannel phase coherent mode - any experiences ??thanks for reading 08-26-2006, 06:10 AM Member Join Date: Jun 2004 Location: Zurich Posts: 306 Re: Pitch/Time correction going from 25fps to 24 f Hi David,Looking at the processes actually used for pitch shifting, it's no surprise that even the best devices will disappoint a critical ear.I would follow ministers advice to pitch up only the minimum neccessairy: that is dialog only, even maybe those voices only which do suffer most from the 4% pitch drop when going 25->24 (In the session window, you can make your session play at -4% to evaluate the damage to be expected).Dialog pitching can be done in Audiosuite before going to the mix (if you do this on duplicate tracks, the unpitched versions will still be available). As most dialog is mono, you'd be out of the phase issues. Stay clear of the Fourier-based methods which introduce too much spectral smearing. Digi's own Audiosuite pitch shifter may be unusable for a lot of stuff, but on voice it often outdoes the more expensive solutions.Personally, I stay clear of pitching music. Not even useful to satisfy a musician's ego: after all - there is also a 4% drop in tempo, which to most people's ears is. Soundshifter Pitch Stereo Free Download.zip Size: 53 KB Name: Size: Soundshifter Pitch Stereo Free Download S-360 Panner Stereo to 5.1 SoundShifter Graphic Mono SoundShifter Graphic Stereo SoundShifter Parametric Mono SoundShifter Parametric Stereo SoundShifter Pitch Mono SoundShifter Pitch Stereo Spring M S Spring Mono Spring Stereo Stomp2 M S Stomp2 Mono Stomp2 Stereo Stomp4 M S Stomp4 Mono Stomp4 Stereo Stomp6 M S Stomp6 Mono

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DISCLAIMERI confess — I’ve had my eye on this software since the late 90s when I was using a DAT, hardware sampler, and a basic version of P.T. On one hand, I’m excited to finally launch and noodle; on the other hand, my expectations are quite high! Let’s see if this was worth the wait.INTROPitch ‘n Time LE by Serato is the all-time industry standard pitch-shifting and time-stretching software wrapped into an integrated plugin for ProTools and Logic Pro.Serato offers four variations of Pitch ‘n Time:• LE for Logic and ProTools (% compression/expansion range = 1/2 to 2X, pitch-shift = +/- 36 semitones)• PRO for ProTools (more powerful — more algorithms, % compression/expansion range = 1/8 to 8X, pitch-shift = +/- 36 semitones, automation, panels that enable a series of changes in a single process, Varispeed mode, etc.)• FE for Fairlight CC-1 Systems• DJ ( using a Mac with Logic Pro X, so I’ll be reviewing LE. Skip the next two sections if you’re a seasoned pro and don’t want to be insulted.DEFINITIONTime stretching is changing the speed or duration of a sample without changing the pitch. Pitch shifting is changing the pitch without affecting the speed. Both are used to match pitches and tempos of clips. They are also used to create special effects. The duration and pitch are changed via resampling. Pitch ‘n Time uses unique algorithms to accurately perform a mathematical scene analysis prior to working its magic.BACKGROUND INFOFrom the introduction of semi-affordable samplers in the 80s through the turn of the millennium, we (musicians, producers, and DJs) were forced to live with the limitations of primitive stretching and shifting — convincing ourselves that we liked clock-noise, crude artifacts, muddy rumble, and the chipmunk effect. Maybe some of us did like racket coming out of our S-900, S-550, Mirage, Emax, etc., but it would have been nice to choose that sound instead of being stuck with it. When venturing beyond the root note in the old samplers, frequencies were scaled at the same rate as the speed, which pitched things up or down. At that point, only minor adjustments were possible. There were a few floppy disk audio editing/software management packages out there like Passport Designs’ Alchemy, but the processing speed of those early computers proved problematic. Users could click PROCESS, eat a sandwich, and wake up from a Rip Van Winkle nap only to discover they didn’t like the effect after all and have to start over. Later, computers became beasts and music software boomed. Today, there are several apps and plugins on the market specifically designed for time‑stretch and tempo‑match, but . . . Some work well on shrtclps and beat-based stuff, while others specialize in extreme s t r e t c h i n g that create ethereal textures. Online searches and forum perusing will bombard you with a list of user favorites that include, but are not limited to: SoundShifter, Xform, Radius, Elastique, TSm Mpex2, TCEX, Song Surgeon, AnyTune, Speed, PaulStretch, Dirac

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Immersive Pitch Shifter Plugin - up to 16 Channels Early Access Sale - official release date October 15th Sale ends in: 00 Days 00 Hours 00 Mins 00 Secs Regular price USD 999998 left in stock --> Pitch Shifting, ZynaptifiedPitchshift is the ultimate pitch-shifting plug-in for music production, sound design and post production.It combines multiple high-quality pitch algorithms, ranging from the classic delay-line design to advanced resynthesis and state-of-the-art hybrid processing.The plug-in will be available in two tiers: the three-algorithm Pitchshift for mono and stereo duties, and the six-algorithm Pitchshift Pro, which supports up to 16 channels of phase-synchronous multi-channel processing for immersive workflows.Whether you're adding a fifth or octave to a guitar or vocal, adjusting the pitch of a loop to fit your project, making monster voices and alien machinery, or adjusting the pitch of a film mix for frame rate conversion, Pitchshift delivers maximum quality with minimum effort!Pitchshift supports mono and stereo operation, while Pitchshift Pro supports audio up to 16 channels wide.Both support all common sampling rates from 44.1kHz to 192kHz, depending on available CPU resources, and run as 64-bit AAX Native, AU, VST3. System Requirements MacOS 10.15 Catalina and above Windows 10 and above (64-bit only) Intel, AMD, or Apple Silicon CPU Free iLok account and iLok License Manager iLok Machine and iLok USB licensing methods are supported Includes 2 activations per license Plugin Formats AAX Native, AU, VST2, and VST3. Soundshifter Pitch Stereo Free Download.zip Size: 53 KB Name: Size: Soundshifter Pitch Stereo Free Download S-360 Panner Stereo to 5.1 SoundShifter Graphic Mono SoundShifter Graphic Stereo SoundShifter Parametric Mono SoundShifter Parametric Stereo SoundShifter Pitch Mono SoundShifter Pitch Stereo Spring M S Spring Mono Spring Stereo Stomp2 M S Stomp2 Mono Stomp2 Stereo Stomp4 M S Stomp4 Mono Stomp4 Stereo Stomp6 M S Stomp6 Mono

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While in modulator mapping mode, holding [ALT] will let you interact with parameters normally (so hold [ALT] to adjust parameter values, then let go to return to modulator mapping) New Wavetable LFO (LFO) modulator/Grid module: A morphable LFO, with Bitwig WT file support New Keytrack+ (Note-driven) modulator: Uses an embedded curve component (like the MSEG devices) for drawing, saving, or loading keytracking curves The previous modulator Keytrack is now called Relative Keytracking, with a modified interface and added Amount control New Select Out (Mix) Grid module: Binary selector between two outputs Select In (Mix) Grid module is the new name of the old Select module, offering a binary switch between two inputs New Amplify (Level) Grid module: Signal amplifier set in percentage (up to 800 %) New Pinch (Level) Grid module: Imposes an S-curve onto an audio signal, with Stereo-ize option New Freq → Pitch (Pitch) Grid module: Hertz (or kilohertz) to pitch converter, with optional stereo detune New Pitch → Freq (Pitch) Grid module: Pitch to Hertz (or kilohertz) converter, with optional stereo detune New Exponents (Math) Grid module: Provides a power of the incoming signal, with an integer Exponent parameter between -9 and +9 New Roots (Math) Grid module: Provides a root of the incoming signal, with an integer Degree parameter between 1 and 9 SVF (Filter) Polymer/Grid module: Now has a Notch mode Button & Buttons (Interface) modulators, and Button (Logic) Grid module: All have a Bipolar option now, for toggling between +100 % (+1) and -100 % (-1) Ø Split (Phase) Grid module: Now has a Phase Shift Direction parameter, for whether the successive out ports add to the original phase (+ [Plus]) or subtract from it (− [Minus]) Phase Shift Direction can be set from the Inspector Panel, or by right-clicking on the module CLAP Plug-ins: Can now share their remote control banks with Bitwig, showing them in the device's Remote Controls CLAP Plug-ins: Now have parameter indications like Bitwig devices, showing when automation or a hardware mapping is taking place Controller script added for ASM Hydrasynth Keyboard: Support for poly aftertouch Knobs can be used in NRPN mode with 2-directional communication and be enabled/disabled (if you don't want remotes to modify your synth) Improvements Internal overhauls: Devices now sleep more often, often resulting in CPU performance improvements Copy and paste have been reworked to work much better for incoming modulations, manual mappings, Grid signal