New statesman magazine

The New Statesman offers you independent, reflective, progressive, award-winning journalism, the best political reporting, and the finest literary and cultural essays from your favourite NS writers such as Stephen Bush, Adam Tooze, Sophie McBain, Tracey Thorn, Ailbhe Rea and the rest of the team.Single issues of the magazine can be downloaded through the app (£3.99), whilst monthly (£9.99) and annual (£129.99) auto-renewable subscriptions are also available.Alternatively, direct subscribers may log in using their customer email address to enjoy the digital version of the New Statesman.**Important notes on auto-renewals**. Payment will be charged to your iTunes Account on confirmation of purchase.. Subscriptions automatically renew unless auto-renew is turned off at least 24-hours before the end of the existing period.. Your account will be charged for renewal within 24-hours prior to the end of the current period, and will identify the cost of the renewal. . Subscriptions may be managed by the user and auto-renewal may be turned off by going to the user's 'Account Settings' after purchase.. No cancellation of the current subscription is allowed during the active subscription period.See our privacy policy and terms of use for more details www.newstatesman.com/privacy-policy What’s New Performance improvements. Ratings and Reviews App Privacy The developer, NS Media Group Limited, indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy. Data Not Linked to You The following data may be collected but it is not linked to your identity: Location Diagnostics Privacy practices may vary based on, for example, the features you use or your age. Learn More Information Provider Progressive Media International Ltd. Size 21.5 MB Category News Compatibility iPhone Requires iOS 15.0 or later. iPad Requires iPadOS 15.0 or later. iPod touch Requires iOS 15.0 or later. Mac Requires macOS 12.0 or later and a Mac with Apple M1 chip or later. Apple Vision Requires visionOS 1.0 or later. Age Rating 12+ Infrequent/Mild Cartoon or Fantasy Violence Infrequent/Mild Alcohol, Tobacco, or Drug Use or References Infrequent/Mild Mature/Suggestive Themes Infrequent/Mild Sexual Content and Nudity Infrequent/Mild Horror/Fear Themes Infrequent/Mild Profanity or Crude Humour Infrequent/Mild Realistic Violence Copyright ©Progressive Media International Price Free In-App Purchases New Statesman Subscription ₹ 619 Monthly Subscription ₹ 899 Annual Subscription ₹ 10,900 New Statesman Subscription ₹ 6,200 New Statesman Magazine 30th September - 6th October 2016 ₹ 399 New Statesman Magazine 18th - 24th November 2016 ₹ 399

Magazine --> Ending the welfare trap Labour must not only make benefits less attractive, but make work more so. Seeking solace in poetry Also this week: Steve McQueen’s powerful exhibition and Labour’s frustrating curriculum and assessment review. By Caroline Lucas Letter of the week: Missed connections Write to [email protected] to have your thoughts voiced in the New Statesman magazine. By New Statesman We should admire the complexity of garden design There’s much more to it than wafting around in a kaftan. By Alice Vincent From Becky Barnicoat to Nick Trend: new books reviewed in short Also featuring The Library of Ancient Wisdom by Selena Wisnom and Holy Places: How Pilgrimage Changed the World by Kathryn… By Pippa Bailey, Michael Prodger, Finn McRedmond and Megan Gibson Why Britain isn’t working How the benefits system became a danger to the economy and a battleground for Labour. By Will Dunn How not to build a nation Britain and the US lack the political will and legal means to innovate. By Simon Kuper Labour’s collision course Keir Starmer is in an economic bind. The fallout could fracture his party. By Andrew Marr Murder in the care home The Rule of Jenny Pen doesn’t need the supernatural to scare us – the terrifying prospect of getting old is… By David Sexton Inside the media circus Natasha Brown’s Universality is a wincing satire of journalism, publishing and cancel culture. By Ellen Peirson-Hagger Mark Carney can’t save Canada Is a technocratic, career economist really the man to take on Donald Trump? By Megan Gibson Our overdiagnosis epidemic How a marked rise in the treatment of certain conditions – physical and mental – is harming, not protecting, public… By Hannah Barnes The rise of Gracie Abrams That Abrams is not quite ready for and a little startled by her early fame is part of her appeal. By George Monaghan The Leopard and the ruins of history Newly adapted by Netflix, Giuseppe Tomasi di Lampedusa’s novel is a lesson in the anarchic motions of our times. By Tanjil Rashid My weak bladder gives me an insight into the White House Perhaps I have more in common with Donald Trump and Elon Musk than I thought. By Nicholas Lezard Thought experiment 8: the Experience Machine In the 1970s Robert Nozick imagined immersive, tech-simulated pleasure as a negation of what it means to be human. By David Edmonds Subscriber of the week: Harry Parker Please email [email protected] if you would like to be featured. By New Statesman Trump’s soft power grab In an age of brutality, the vibe shift orchestrated by the Maga regime is the US president’s greatest victory yet. By John Gray Siena’s artistic revolution In the 14th century,

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Austin American-Statesman Appoints First Female Executive Editor, Courtney SebestaURL: TX – In a male-dominated industry, the Austin American-Statesman takes a bold step forward by promoting Courtney Sebesta to executive editor. Sebesta, a homegrown talent, has risen through the ranks over 22 years, and her appointment signals a new era for the publication. Gannett, Co. Inc., the owner of the Statesman, made the announcement on Monday, recognizing Sebesta’s extensive experience and deep roots in the Austin community.“I am thrilled to continue my career in the place I call home with the stellar journalists I’ve worked alongside for many years,” Sebesta said. “I look forward to leading this award-winning team I admire and know so well.”Sebesta's promotion is a breath of fresh air in an industry that has long excluded women from top editorial positions. As a graduate of the University of Texas School of Journalism and Media, she embodies the diversity and talent that has long been overlooked by legacy media outlets. Her digital savviness and strategic thinking will undoubtedly drive the Statesman to new heights, increasing its reach and impact in the community.The announcement was met with applause from the Statesman staff, a testament to Sebesta’s reputation as a compassionate and respected leader. Her connection to the newsroom runs deep, and her expertise in digital optimization has already brought the publication prestigious awards, including the Edward R. Murrow Award and recognition as a Pulitzer Prize finalist.Starting as an editorial assistant, Sebesta's journey to the top is an inspiring one. She has held various roles, including features reporter, digital editor, and senior editor, before managing digital sites across the USA Today Network. Her return to the Statesman as managing editor in 2022 brought her full circle, and her appointment as executive editor is a well-deserved recognition of her talent and dedication.“Courtney has an extensive and impressive track record as a journalist and longstanding member of the Austin community,” said Gannett Media Chief Content Officer Kristin Roberts. “Her talent and expertise will further our mission to deliver impactful, relevant news and content to her fellow Texans.”With her finger on the pulse of the community, Sebesta is poised to lead the Statesman into a new era of inclusive, relevant, and impactful journalism. Her promotion sends a powerful message to young women and people of color aspiring to break into media: the glass ceiling can be shattered.

Donald Trump has reached out to Vladimir Putin, over the heads of Ukraine and Europe. The Western alliance is fracturing, so what comes next? Can European nations find the defence budget? And whose terms will this war end on?Hannah Barnes is joined by Lawrence Freedman, emeritus professor of War Studies at Kings College London, and later in the programme by the New Statesman’s associate political editor Rachel Cunliffe, and the former justice secretary David Gauke to discuss the future of our prisons.Read: The threat of peace, Penal populism has broken Britain’s prisonsSign up to the New Statesman’s daily politics newsletter: Morning CallSubmit a question for a future episode: You Ask UsSubscribers to the New Statesman can listen ad-free in our app. Download it on iOS or Android.Not a regular podcast listener? Read our guide on how to listen to New Statesman Subscribe to The New Statesman today from only £8.99 per month Content from our partners googletag.cmd.push(function() { googletag.display('div-gpt-ad-3393934-1'); }); -->

Season 2 FanStore News Columns All-Time Lists Binge Guide Comics on TV Countdown Five Favorite Films Video Interviews Weekend Box Office Weekly Ketchup What to Watch Guides Stephen Graham Movies and Shows (Adolescence), Ranked By Tomatometer Link to Stephen Graham Movies and Shows (Adolescence), Ranked By Tomatometer 67 Best Baseball Movies of All Time Link to 67 Best Baseball Movies of All Time View All Hubs What to Watch: In Theaters and On Streaming. Link to What to Watch: In Theaters and On Streaming. Awards Tour Link to Awards Tour View All RT News Snow White Opens with $43 Million poster image" slot="image" src=" loading="lazy"> Weekend Box Office: Snow White Opens with $43 Million Link to Weekend Box Office: Snow White Opens with $43 Million TV Premiere Dates 2025 Link to TV Premiere Dates 2025 View All Showtimes Verified Hot Movies Best New Action Movies Renewed and Cancelled TV Free Movies Where to Watch What to Know Reviews Cast & Crew More Like This Videos Photos Media Info Critics Consensus Genius seeks to honor worthy subjects, yet never gets close enough to the titular quality to make watching worth the effort. Read Critics Reviews Anna Leszkiewicz New Statesman Genius ends up being terrifically boring, while enthusiastically reproducing the creative hierarchies of the time it portrays. Aug 25, 2016 Full Review Roxana Hadadi Chesapeake Family Magazine The biographical Genius is uneven, and that imbalanced focus-the same thing that novelist Thomas Wolfe needed help with all those years ago-is its weakest element.