Lexicon reverb plugin

Author: h | 2025-04-24

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Lexicon - Lexicon Reverb - Lexicon Plugins - Vintage King

Quote: Originally Posted by rhythmcomposer ➡️ Interesting indeed, but pricey (US$ 200) according to its web page.Getting back to the Townhouse AMS Impulse Response (IR) library files.... I read somewhere that compared to most "regular" reverb plugins, those that use IR files demand a lot more CPU power. Is this true? Not sure if this would be an issue or not with my not-quite-up-to-date computer hardware but surely something to keep in mind.Also, would that AMS IR-library sound similarly good on any IR-capable reverb plugin, or does the Liquidsonics Reverberate 3 excel in terms of audio quality or something else? Judging from the screenshots on the Liquidsonics website it sure looks good though! You can absolutely use the Inhalt IRs in any IR reverb plugin and then add Reverberate 3 at a later date. Reverberate 3 is just one of the best (possibly the best) IR reverb plugins. It has a lot of great modulation options to breathe life and movement into static IRs. And, again, it comes with several additional IR reverbs: Bricasti M7, Lexicon 224XL, Lexicon 480, and Lexicon PCM 91. Lives for gear Joined: Feb 2013 Posts: 541 🎧 10 years Cool!I see that my DAW (Logic Pro X) actually comes with a reverb that takes IR files, so I need look no further -at least for starters.Those IRs with Reverberate 3 are from some nice reverb units. I might not need the Lexicon 480L though as just I bought Relab XL480 essentials for US$ 29 (the deal is still on one more day or so at Audioplugin deals). Other plugin sites have it for $35, so I think this is the cheapest.I don't know much about the differences in all these reverb units, but being on the lookout for anything that gives that typical 80s sound I figured this would do some of it, plus I love the user interface! I know that shouldn't be a reason to get a plugin, but I figure if it makes it more enjoyable to use I'll actually use it more and probably take more advantage of its features Lives for gear Joined: Apr 2017 🎧 5 years Quote: Originally Posted by rhythmcomposer ➡️ Cool!I see that my DAW (Logic Pro X) actually comes with a reverb that takes IR files, so I need look no further -at least for starters.Those IRs with Reverberate 3 are from some nice reverb units. I might not need the Lexicon 480L though as just I bought Relab XL480 essentials for US$ 29 (the deal is still on one more day or so at Audioplugin deals). Other plugin sites have it for $35, so I think this is the cheapest.I don't know much about Versatile algorithmic reverb with vintage style modes to simulate the frequency and sample rate limitations of 70’s and 80’s hardware reverbs.Algorithmic reverbs aren’t always realistic since processing power was so limited in the early days. But they can still create a desirable and characteristic reverb sound that works in tons of mixing situations.Pro: UAD Lexicon 224The UAD Lexicon 224 is a painstakingly accurate replication of the classic vintage hardware. The original Lexicon 224 was one of the first readily available digital reverb units introduced to studios in the late 1970’s. It’s responsible for so many classic reverb sounds from that era.How to use algorithmic reverbThis digital reverb allows for a high degree of control and customization.It’s versatile and can simulate various environments, from small rooms to large halls.Algorithmic reverb is useful when you need a specific reverb character that matches the mood of your track.It’s ideal for tailoring the reverb to fit precisely within your mix, whether you’re seeking a subtle ambiance or a more pronounced effect.What is convolution reverb?Convolution reverbs create ambience through a mathematical process called (wait for it) convolution.These reverb plugins use Impulse Responses to create their effect. Impulse responses are made by measuring the reverberation of a real space with a microphone and a specialized tone called an impulse.Algorithmic works best for Synth pads, effects, or anywhere else you need a stylish, enveloping reverb.The impulse response is a sonic profile that the plugin uses to apply its specific reverberation characteristics to your sound.To put it simply, convolution reverb lets you use the ambience of any real world space inside your DAW.Hot tip: Convolution can also be used to model things like speaker cabinets for electric guitar.If you have an all purpose convolution plugin, you can use IRs of speaker cabs to get a convincing sound when

The Best Lexicon Reverb Plugin - Gearspace

PCM96 in plug-in form. It doesn’t sound like a Lexicon reverb, it is a Lexicon reverb.Watch our video below to hear four of seven classic Lexicon algorithms, which are available as part of the Lexicon PCM Native bundle. Listen closely for the distinctive character of the Room, Vintage Plate, Random Hall and Chamber algorithms." data-block-json="{"customThumb":"61b88a620c22703101a022e9","width":"640","height":"360","hSize":null,"html":"","url":"","resolvedBy":"manual","floatDir":null,"blockAnimation":"none"}" data-block-type="22" id="block-yui_3_17_2_1_1580218344163_198714"> LiquidSonics Seventh Heaven If you ask ten or so audio engineers to recommend a hardware reverb unit, many would point you in the direction of a Bricasti M7. Though not considered a celebrated vintage reverb yet, over the years, this particular reverb unit has gained quite a fan base thanks to its classy set of sounds and straightforward interface. Those lucky enough to own a Bricasti swear by them. Those who don't even know what an M7 even looks like in the flesh seem to know that Bricastis are well regarded. Buying a Bricasti isn't cheap. You won't see much change out of $4,000, but if you are keen to get some M7 magic in your mixes without breaking the bank, then LiquidSonics Seventh Heaven Professional is the only way to go.Seventh Heaven is a convolution reverb as does an incredible job of hiding that fact. Compared to algorithmic reverbs, convolutions can have a habit of being slow when loading impulse responses, scrolling through presets or changing control values. This isn’t the case in Seventh Heaven. The UI is well-developed and super-responsive. The only time you’ll notice you are using a convolution reverb in the Seventh Heaven experience is when you download the installer and content. The factory impulse response library is quite large, so be sure to have suitable storage available on a drive you intend to store the IRs in.We could attempt to describe the types of sounds you can get out of a Bricasti, but instead, we recommend you spare a couple of minutes to listen to the examples using Seventh Heaven below. ReLab LX480 While the PCM Native Bundle is a plugin version of a current product, the Relab LX480 emulates the classic Lexicon 480L with an interface reproducing the LARC remote, which was a ubiquitous feature of every SSL and Neve of the big budget, big studio heyday of decades ago.All the idiosyncrasies of the original are here, even down to optional coffee stains. If you are familiar with the original, you’ll feel right at home, and if. Lexicon Plugins, Lexicon Reverb VST, Lexicon Plugins PCM Reverb VST

Lexicon reverb plugins noise? - AudioSEX

You aren’t, it’s as close as most of us will get to one of these beasts. the sound is pure Lexicon; used right, it makes a recording sound like a record. " data-block-json="{"blockAnimation":"none","layout":"caption-hidden","overlay":true,"description":{"html":"Pro Tools Expert team member Julian Rodgers reviews the LX480 reverb plugin from Relab, a software recreation of the famous Lexicon 480L."},"hSize":null,"floatDir":null,"isOldBlock":true,"customThumb":"61b88adb2ab9ba1c1c109f7b","html":"","url":" data-block-type="32" id="block-yui_3_17_2_1_1580218344163_59964"> UAD 2 Lexicon 224 Digital Reverb UAD offer a version of the 480, but the 224 shouldn’t be overlooked as it was arguably a more significant product for Lexicon than the 480. With a similar user interface and fewer algorithms, it is the reverb behind Vangelis’ Blade Runner and U2’s The Unforgettable Fire. Classy and coloured, it’s hard to believe this unit is from 1978.The accuracy behind the modelling is, of course, second to none, even to the point that UAD replicated software bugs from the original, thankfully these can be disabled! " data-block-json="{"blockAnimation":"none","layout":"caption-hidden","overlay":true,"description":{"html":"Part of the A-Z of UAD series on Pro Tools Expert, in this video Julian demonstrates the Lexicon 224 using Corinna Jane's track "Floodlights""},"hSize":null,"floatDir":null,"isOldBlock":true,"customThumb":"61b88b12f3ceb458e9b1552d","html":"","url":" data-block-type="32" id="block-yui_3_17_2_1_1580218344163_67057"> Waves Abbey Road Plates Plate reverbs have been around for a very long time; to be more specific, they were first introduced in the 1950s and have been the reverb of choice for many engineers ever since. Waves Abbey Road Plates models the original reverb plates first installed in Abbey Road in 1957 as a means of offering different flavours of reverb in addition to their chambers. The original plates have seen many improvements over the years to achieve reverb times of up to six seconds and to reduce noise in the system for super-clean sounding reverbs. The original plates produce stereo reverb effects which are created by large suspended sheets of metal with tensioned springs at each corner. Transducers transmit sound through the metal plates, which two fixed contact mics capture. Reverb times can easily be changed by adjusting the plate's internal damper.It appears Waves didn’t leave any stone unturned when modelling the original plates for this plug-in. We haven’t heard any direct comparison between the original plates and this plug-in, but it’s safe to assume that this is as close as we are going to get to authentic Abbey Roads plate reverbs. Listen to our demo video below to hear Waves Abbey Road Plates on vocals, which is a fitting application for most plates, not least this particular plug-in. " data-block-json="{"blockAnimation":"none","layout":"caption-hidden","overlay":true,"description":{"html":"This video is ADverb is a vintage digital plate reverb. Simple-to-use reverb settings, with pre-delay, time, and size, plus an extensive filtering section to shape the reverb tail.Optimized reverb algorithm for low CPU load. Downloads Win 32 VST (0.9 Mb) V 1.2.0 Win 64 VST (0.9 Mb) V 1.2.0 Mac OSX VST (3.1 Mb) V 1.2.0 Mac OSX AU (3.1 Mb) V 1.2.0 This has been one of my most used reverbs. Beautiful GUI. Pretty easy to get a good sound. Tricky to dial in just the right tone though. Those faders are twitchy and seem to hop between not enough and too much a little too easily. The tone shaping functions are nice and simple but maybe not quite versatile enough. It often feels like there's something not quite right with the reverb and I can't quite get the sound I want. I always seem to be leaning towards bigger sizes and longer tails with this reverb. Nice plugin overall though. CPU usage seems pretty average for a nice reverb. Сделал на нём пресет Plate A, как на Relab 480 для вокала! Очень похоже! Супер плагин! I made a Plate A preset on it, like on a Relab 480 for vocals! Very similar! Super plugin! For a comparison I suggest this video: >> Looks somewhat similar to my Lexicon model 200, though you may want to use your ears when tuning the decay time as it's like the EMT 250 with a short verb time

LXP Native Reverb by Lexicon - Reverb Plugin VST

Quote: Originally Posted by chrischoir ➡️ nothing special at all.. A while back I did little shootout with ocean way drums and the ocean way verb plugin and it was nothing like the room sounds in the sample library. So if you are looking for it to sound like the ocean way live room, it doesn't at all. I realize the sample library is not the same as recording there but it has the depth and the splash of that roomIs it a good plugin reverb in general? it's ok, not bad. Relab 480l is much better. I'm sure there are lots of verbs that are better as well. It's sort of the never ending story with plugs, you give people a slick interface and it's always gets overhyped. You compare it to Ocean Way Drums and that alone is enough to come to the conclusion that it doesn't sound at all like the real room. Seriously? Wow! Next, you compare it to... wait for it.. an emulation of a digital reverb processor from decades ago. What? Why compare it to a Lexicon 480 inspired reverb plugin? The UAD Ocean Way plugin is not trying to emulate classic reverb boxes, or any reverb boxes for that matter. It's (trying to) emulate the real room sounds of Ocean Way. It's doing this in a "hybrid" approach, as it isn't purely algorithmic, but it's also not just using impulse responses, it's a combination of both techniques. Does it sound like the real rooms? I don't know, all I know is that comparing it to Ocean Way Drums is not going to be a valid way of testing it, that much do I know. What I also know, is that the Ocean Way plugin can sound amazing. I know, because I spend a lot of time with it, first to get to know it, lately because it's a must have plugin for all my mixes. Sampled instruments, lead vocals, guitar, it all benefits from Ocean Way. You finish your amazing post by saying that it's only being hyped because it has a slick interface, stating that you are sure that a lot of reverbs are better than the Ocean Way plugin. I think it's insulting to all the people who think that the UAD Ocean Way plugin is a great/good/fantastic plugin, because you are basically saying we think it's great because of the slick interface. Well thank you, I guess the 20+ hours of testing it before my purchase was a waste of time, all I had to do was simply look at the interface and wait for it to convince me it's awesome. I have a lot of reverb plugins, but not

Lexicon 224 Digital Reverb by Universal Audio - Reverb Plugin

Over the past week, we've been getting a little misty-eyed over vintage hardware here at MusicRadar HQ, showing you how to capture the sound of some legendary pieces of gear using modern software.Today, we turn our attention to software emulations of classic reverbs, lining up six of the most commendable options from UA, Soundtoys, Arturia, Eventide and Cherry Audio.1. Soundtoys SuperPlate(Image credit: Soundtoys)Platforms: Mac/PC | Price: £119/$147 | BuyOne of the newest and best reverb plugins, SuperPlate is an incredible five plate reverbs in one. Plates are not exactly practical these days but still sound incredible and this is simply the best way to enjoy a lot of them. You get emulations of an EMT 140, EMT 240, Audicon, EcoPlate III, and Stocktronics RX4000 – that’s a lot of vintage plate reverbs that would take up a lot of room (not to mention cash) condensed into one plugin.2. Cherry Audio Stardust 201(Image credit: Cherry Audio)Platforms: Mac/PC | Price: £15/$19 | BuyTechnically the original Roland Space Echo was more delay than reverb but with so many features packed into this emulation, it seems fair to include it here. Stardust 201 is a fantastically flexible emulation; it’s cheap and sounds great. You get seven tape-head modes for a wide range of tape echo modes, a spring reverb, chorus and overdrive. One of the best reverb/delays out there.3. Eventide SP2016(Image credit: Eventide)Platforms: Mac/PC | Price: £213/$265 | BuyWant all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here. As one of the first studio effects boxes back in 1982, and even one that you could upgrade by plugging into, the original hardware reverb broke ground in many ways. It sounded great too. This emulation covers all the ground of the original – from room to plate reverbs – and sounds as good. Great for no-frills ambience and mighty lushness.4. Universal Audio Lexicon 224(Image credit: Universal Audio)Platforms: Mac/PC | Price: £174/$215 | BuyA seriously good emulation of a very serious digital reverb, as used by everyone from Talking Heads to U2 in the late ’70s and ’80s. Lexicon were the big name in studio reverbs back in the day, with the 224 contributing much to that reputation. UA’s take is typically accurate, with the same algorithms as used in the original. It’s one of the most expensive reverbs here but thankfully you don’t need UA. Lexicon Plugins, Lexicon Reverb VST, Lexicon Plugins PCM Reverb VST

[MacOS] Lexicon Reverb - Combo 4 reverb plugins - NTBlog

Reverbs. ChromaVerb and Space Designer represent two of those.Acoustic Reverbs: These are the echo chambers like the famous Abbey Road Studios or Capitol Records, or if that is a bit out of your financial reach, your next-best bathroom or hallway.Mechanical Reverbs: Besides its big cousin the EMT Plate from the late 50s, the spring reverb was patented 1939 by Laurens Hammond (yes, the Hammond Organ guy), and besides the studio-grade AKG Spring reverb, spring reverbs are found in guitar amps or even synthesizers like the Moog Grandmother.Algorithmic Reverb: Logic's ChromaVerb is a descendent of a long line of famous algorithmic reverbs like the Lexicon 244 and 480 that entered the market in the late 70s. They use electronic circuitry (like delay lines) to simulate the various parameters of acoustic room reverb.Convolution Reverb: Although Altiverb was the first software convolution reverb in 2001, Logic included early on its own convolution reverb, the Space Designer, as an affordable (and now free) convolution reverb.Physical Modeling Reverbs: This is like the "all the above" category where engineers write computer code that "recreate" the sound and characteristics of existing reverbs of any type. Although there are always exceptions, the main deciding factor for me whether to reach for the Space Designer or ChromaVerb Plugin is based on whether I need an Algorithmic Reverb or a Convolution Reverb.ChromaVerbThe strength of most Algorithmic Reverbs is the ease of use because they follow the basic concept of a room simulation with their standard parameters. ChromaVerb is no exception, I can quickly set the Size of the room, the Predelay and the Decay, plus some additional parameters like the Attack, the Density and the Distance. to shape the type of reverb I'm looking for. Being able to set the Decay and Predelay to a value related to the Tempo