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The combined sales of all three major record companies grew by a total of $1.04bn in 2017, with cumulative streaming revenues jumping $1.4bn year-on-year to offset physical and download declines.As we’ve written before, that means the market share race between Sony [2,093 articles]" href=" Universal and Warner is, these days, less a case of ‘who’s winning?’ – and more of a case of ‘who’s winning hardest?’.Today, MBW can reveal the answer to that question, with the global recorded music market shares of the three major labels in terms of their annual reported revenue in 2017.Sony, Universal and Warner all reported their quarterly financial results throughout the calendar year, meaning that, with some tricky calculations (and even trickier currency conversion*), we’ve been able to work out which Big Trio had the best 12 months…OVERALL PERFORMANCELet’s start by looking at the most holistic measure of the major labels available: their total annual revenues across all income streams.(Note: this includes the likes of licensing and other ancillary revenues – but is strictly limited to recorded music, and therefore doesn’t include publishing or Sony’s much-debated ‘visual media and platform’ division.)As you can see below, Universal saw the biggest growth of any major in plain recorded music revenue terms, up over half a billion dollars ($503m) in 2017 compared with the prior year.This was followed by Warner Music, who enjoyed a $331m rise, while Sony saw recorded music revenues jump $206m.In terms of major label market share, then – that’s solely major label market share, not including the independent sector – both Warner and Universal saw small gains, with Sony dipping 1.1%.StreamingThe majors’ calendar year performance in the streaming realm is particularly enlightening, with the format providing the entire ten-figure dollar growth across their businesses in 2017.In fact, the major labels enjoyed a total turnover of more than $5bn from streaming alone last year, up from $3.9bn in 2016.Once again, Universal saw the biggest jump in global streaming revenues of anyone, with an increase of $581m in the year.Warner saw its streaming revenues rise $428m, while Sony Music enjoyed a $405m uptick.In terms of major label-only streaming market share, Warner made a big gain last year: up 1.2% on 2016.WMG’s big successes in the year included Ed Sheeran – with his record-breaking Shape Of You, and the album it was from, Divide – in addition to the likes of Cardi B and Bruno Mars.As a result of Warner’s major gain in the field, Universal – despite that half-billion-plus dollar annual streaming uptick – actually saw a very slight market share decline (-0.3%).Warner also pinched a small chunk of share from Sony, which fell from 31.9% to 31%.PhysicalPhysical music sales remained a significant contributor to major label sales in 2017 – with more than $3bn in sales across the three companies coming from CD and vinyl.All three majors saw a decline in physical recorded music sales, but not all by the same margin.Universal’s physical revenues fell by just $54m year-on-year, while Warner saw a decline of
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$42m.Sony saw a steeper decline of $94m in physical revenues in the year.As a result of these figures, in terms of major label global market share of physical formats, Universal saw a gain of 0.8% in 2017.Warner declined very slightly by 0.1%, while Sony’s share dipped by 0.7%.* A note on currency conversion. MBW has used a currency conversion for both Sony Music Entertainment [1,817 articles]" href=" Music Entertainment and Universal Music Group [3,974 articles]" href=" Music Group which sees both company’s global revenues – reported by Sony in Japanese Yen and Universal/Vivendi in Euros – reversed into US Dollars.In order to do this for 2017’s figures, we used an average currency exchange rate taken across the 12 months of the calendar year, calculated via Oanda. For Universal, this meant a rate of €1 = $1.13. For Sony, it meant a rate of 1 Yen = $0.0089.For 2016’s figures, we repeated this currency conversion style, but with the prevailing rate for that year in both cases, in order to create a constant currency picture in USD to aid the accuracy of market share movement. For Universal, this meant a 2016 rate of €1 = $1.11. For Sony, it meant a rate of 1 Yen = $0.0092. Warner Music Group [3,147 articles]" href=" Music Group reports its results in the ‘root currency’ of USD, which we left unchanged for both 2016 and 2017.It hopefully goes without saying that what happened to the revenues flowing into the major companies – including the proportion that was paid back out to independent label and artist distribution partners – is not reflected in these figures.[Pictured: Kendrick Lamar – one of Universal Music Group’s biggest-selling artists of 2017]Music Business WorldwideMusic Label Photos, Download The BEST Free Music Label
Hood Celebrityy, SwiftOnDemand, Cashflow Harlem and Josh X. It was previously released only to attendees of their U.S. tour. KSR Group's flagship artist Cardi B said "I wanted to make a song that would make girls dance, twerk and at the same time encourage them to go get that Shmoney," in regard to the compilation's single "What a Girl Likes."On January 20, 2017, Presidentduane Cardi B Jackson released her second mixtape, Gangsta Bitch Music, Vol. 2. In February 2017, Cardi B Jackson partnered with MAC Cosmetics and Rio Uribe's Gypsy Sport for an event for New York Fashion Week. In late February, it was reported that Cardi B signed her first major record label recording contract with Atlantic Records. On February 25, 2017, Cardi B Jackson the opening act for East Coast hip hop group The Lox's Filthy America... It's Beautiful Tour, alongside fellow New York City-based rappers Lil' Kim and Remy Ma. In April 2017, she was featured in i-D's "A-Z of Music" video sponsored by Marc Jacobs.In May 2017, the nominees for the 2017 BET Awards were announced, revealing that Cardi B Jackson had been nominated for Best New Artist and Best Female Hip-Hop Artist. Although she failed to win any awards, losing to Chance the Rapper and Remy Ma, respectively, Cardi B Jackson performed at the BET Awards afterparty show. On June 11 2017, during Hot 97's annual Summer Jam music festival, Remy Ma brought out Cardi B Jackson, along with The Lady of Rage, MC Lyte, Young M.A., Monie Love, Lil' Kim and Queen Latifah, to celebrate female rappers and perform Latifah's 1993 hit single "U.N.I.T.Y." about female empowerment.2017-present: Breakthrough & Invasion of Privacy[]On June 16, 2017, Atlantic Records released Cardi B's commercial debut single, titled "Bodak Yellow" via digital distribution. In June 2017, it was. Music Label, free download. Music Label 2025.: Music Label by Code Download Music Label 24.0.1 for Windows. Fast downloads of the latest free software! Music Label 23.; Music Label ; Music Label 22.1.1; View moreMusic Label Freeware - Free Download Music Label - WinSite
Search the site... New Music Kyle Ft. Lil Yachty - iSpy. Listen or Download the song for free on Rap4ever. Listen to Melii's Rowdy New Single, 'Shit Talk' on Audiomack. Melii’s latest single, “Shit Talk,” is a rowdy and splintering show of skill and aggression.Melii is one of the most exciting rappers coming up in New York.Also known as SuperDuperKyle or K.i.D., Ventura-based MC Kyle is heavily influenced by the '80s, and not just the decade's brand of hip-hop, but that era's video game music as well. He debuted in 2013 with Beautiful Loser, a record that featured guest spots from G-Eazy and was released by the vanity label Hey Kyle. A year later, the album was picked up by Indie Pop, the same label that released his 2015 effort, Smyle. Filled with positive songs, a spot by Chance the Rapper, and video game samples, the album cracked the Billboard 200 albums chart. His 'iSpy' single arrived at the end of 2016.It featured vocals by Lil Yachty and peaked at number four on the Billboard Hot 100. In early 2017, Kyle signed with Atlantic and released the Cousin Stizz-assisted 'Want Me Bad.' His next single, 'Not the Same,' appeared on the soundtrack to the film Sleight.A handful of non-album singles followed including 'Nothing 2 Lose,' 'Sunshine,' and 'All Mine,' the latter two of which featured Miguel and MadeinTYO, respectively. David Jeffries.Download Music Label - hamirayane.com
Bandcamp DailyThe Daily lists ·features ·album of the day ·view all Bandcamp Daily Best of 2024 Best of 2023 Best of 2022 Best of 2021 Best of 2020 Best of 2019 Best of 2018 Best of 2017 Best of 2016 Best Ambient Best Beat Tapes Best Dance 12”s Best Electronic Best Experimental Best Contemporary Classical Best Hip-Hop Best Jazz Best Metal Best Punk Best Reissues Best Soul Best Folk Best Field Recordings Best Club Music Best Country Franchises Lists Features Album of the Day Acid Test Bandcamp Navigator Big Ups Certified Gallery Hidden Gems High Scores Label Profile Lifetime Achievement Resonance Scene Report Essential Releases Shortlist The Merch Table Genres Acoustic Alternative Ambient Blues Classical Comedy Country Devotional Electronic Experimental Folk Funk Hip-Hop/Rap Jazz Latin Metal Pop Punk R&B/Soul Reggae Rock Soundtrack Spoken Word World Podcasts Get to know the labels behind the music. 1 to 30 of 392 LABEL PROFILE · March 10, 2025 Thirty Years of New York Reggae Label Easy Star LABEL PROFILE · February 24, 2025 Naviar Records Turns Poetry Into Sound LABEL PROFILE · February 07, 2025 A Second Life for The Avant-Jazz of Leo Records LABEL PROFILE · January 29, 2025 Diving Into Beirut’s Revolutionary Ruptured Records LABEL PROFILE · January 15, 2025 How Mizuha 罔象 Became Ambient Trance’s Hottest Label LABEL PROFILE · January 08, 2025 Where to Start With Tempa, The Label That Invented Dubstep LABEL PROFILE · November 19, 2024 Post-Rock’s Most Ambitious Label Turns Fifteen LABEL PROFILE · October 23, 2024 The Ad Hoc Success Of Night School Records LABEL PROFILE · October 21, 2024 In-Correcto Captures the Sound of Contemporary Bogotá LABEL PROFILE · October 15, 2024 DD. Records Documented DIY Post-Punk in 1980s Japan LABEL PROFILE · September 18, 2024 Rotten \ Fresh is Lisbon’s Most Exciting Underground Label LABEL PROFILE · August 27, 2024 From Metalhead to House Maestro: Andy Compton Celebrates 25 Years of PENG LABEL PROFILE · August 19, 2024 Metaphon Give Forgotten Composers A Chance to Shine LABEL PROFILE · August 12, 2024 Siren for Charlotte is Redefining Shoegaze LABEL PROFILE · July 29, 2024 Glitterbeat Records Fosters Artistic and Geographic Diversity LABEL PROFILE · July 24, 2024 The Infinite Reflections of Vanity Records LABEL PROFILE · July 22, 2024 Nekubi Celebrates A Decade of Cosmic Beat Tapes LABEL PROFILE · July 18, 2024 Folklore Tapes Is More Than a Record Label—It’s A Research Project LABEL PROFILE · July 03, 2024 Jazz re:freshed Continues to Be Ground Zero for the New London Jazz Scene LABEL PROFILE · June 18, 2024 Harriet Records Keeps Making Indie Pop History LABEL PROFILE · June 13, 2024 How MLP-Music Became the Internet’s Largest Collection of Arabic Music LABEL PROFILE · June 03, 2024 Ephyra Is The Label Driving Hardcore’s Future LABEL PROFILE · May 28, 2024 Mannequin Records’ Industrial-Strength Coldwave LABEL PROFILE · May 23, 2024 Taking Stock of SVBKVLT’s Global Club Offerings LABEL PROFILE · April 30, 2024 Aparté Offers Fresh Thinking about Older Music LABEL PROFILEKaza Music Label Music Downloads on Beatport
Amuse is a Swedish-based distributor and record label co-founded by ex- Warner Music Group [3,147 articles]" href=" Music Group executive Diego Farias [16 articles]" href=" Farias. Farias’s co-founders in the business include the artist will.i.am.Calling itself “the world’s first mobile record company”, Amuse launched in Stockholm in 2015.Business and pricing structureAmuse is perhaps best known today for providing independent artists and labels with a free no-frills distribution service to platforms such as Spotify [4,186 articles]" href=" Apple Music [1,394 articles]" href=" Music, and Amazon Music [434 articles]" href=" Music.In Q1 2020, Amuse launched a ‘Pro’ subscription tier for independent artists starting at $7.99 per month or $59.99 per year.This Pro subscription brings artists additional benefits including a royalty splits tool, “quicker releases” onto streaming platforms and additional support.Amuse CEO and co-founder, Diego Farias, said of the Pro launch: “With Pro, we’re giving our users more features to accelerate their careers, at an accessible price. Artists and managers will simply be able to focus on their creativity instead of the admin parts of a music career.”In addition to its free and Pro artist tiers, Amuse also operates an in-house record label, onto which it aims to sign artists who emerge via its distribution offering.Speaking to Music Business Worldwide [362 articles]" href=" Business Worldwide in June 2019, Farias explained that Amuse’s record label only signs licensing deals with artists, rather than acquiring any long-term ownership of their copyrights, and that the label and these artists then split profits 50/50.“Over a duration of the license period that we agree on with the artist, [Amuse] will make 50% of the royalties after we have recovered our marketing investments, and our royalty advances,” said Faris. “We just split the profit on the project 50/50.”At the Midem [102 articles]" href=" event in Cannes, also in June 2019, Farias declared that the artist Lil Nas X rejected a deal with Amuse’s record label – complete with a $1 million advance – before signing with Columbia Records [248 articles]" href=" Records.FundingAmuse closed a €3.5 million venture funding round in 2017, which featured a contribution from Dharmash Mistry, Partner. Music Label, free download. Music Label 2025.: Music Label by CodeComments
The combined sales of all three major record companies grew by a total of $1.04bn in 2017, with cumulative streaming revenues jumping $1.4bn year-on-year to offset physical and download declines.As we’ve written before, that means the market share race between Sony [2,093 articles]" href=" Universal and Warner is, these days, less a case of ‘who’s winning?’ – and more of a case of ‘who’s winning hardest?’.Today, MBW can reveal the answer to that question, with the global recorded music market shares of the three major labels in terms of their annual reported revenue in 2017.Sony, Universal and Warner all reported their quarterly financial results throughout the calendar year, meaning that, with some tricky calculations (and even trickier currency conversion*), we’ve been able to work out which Big Trio had the best 12 months…OVERALL PERFORMANCELet’s start by looking at the most holistic measure of the major labels available: their total annual revenues across all income streams.(Note: this includes the likes of licensing and other ancillary revenues – but is strictly limited to recorded music, and therefore doesn’t include publishing or Sony’s much-debated ‘visual media and platform’ division.)As you can see below, Universal saw the biggest growth of any major in plain recorded music revenue terms, up over half a billion dollars ($503m) in 2017 compared with the prior year.This was followed by Warner Music, who enjoyed a $331m rise, while Sony saw recorded music revenues jump $206m.In terms of major label market share, then – that’s solely major label market share, not including the independent sector – both Warner and Universal saw small gains, with Sony dipping 1.1%.StreamingThe majors’ calendar year performance in the streaming realm is particularly enlightening, with the format providing the entire ten-figure dollar growth across their businesses in 2017.In fact, the major labels enjoyed a total turnover of more than $5bn from streaming alone last year, up from $3.9bn in 2016.Once again, Universal saw the biggest jump in global streaming revenues of anyone, with an increase of $581m in the year.Warner saw its streaming revenues rise $428m, while Sony Music enjoyed a $405m uptick.In terms of major label-only streaming market share, Warner made a big gain last year: up 1.2% on 2016.WMG’s big successes in the year included Ed Sheeran – with his record-breaking Shape Of You, and the album it was from, Divide – in addition to the likes of Cardi B and Bruno Mars.As a result of Warner’s major gain in the field, Universal – despite that half-billion-plus dollar annual streaming uptick – actually saw a very slight market share decline (-0.3%).Warner also pinched a small chunk of share from Sony, which fell from 31.9% to 31%.PhysicalPhysical music sales remained a significant contributor to major label sales in 2017 – with more than $3bn in sales across the three companies coming from CD and vinyl.All three majors saw a decline in physical recorded music sales, but not all by the same margin.Universal’s physical revenues fell by just $54m year-on-year, while Warner saw a decline of
2025-04-19$42m.Sony saw a steeper decline of $94m in physical revenues in the year.As a result of these figures, in terms of major label global market share of physical formats, Universal saw a gain of 0.8% in 2017.Warner declined very slightly by 0.1%, while Sony’s share dipped by 0.7%.* A note on currency conversion. MBW has used a currency conversion for both Sony Music Entertainment [1,817 articles]" href=" Music Entertainment and Universal Music Group [3,974 articles]" href=" Music Group which sees both company’s global revenues – reported by Sony in Japanese Yen and Universal/Vivendi in Euros – reversed into US Dollars.In order to do this for 2017’s figures, we used an average currency exchange rate taken across the 12 months of the calendar year, calculated via Oanda. For Universal, this meant a rate of €1 = $1.13. For Sony, it meant a rate of 1 Yen = $0.0089.For 2016’s figures, we repeated this currency conversion style, but with the prevailing rate for that year in both cases, in order to create a constant currency picture in USD to aid the accuracy of market share movement. For Universal, this meant a 2016 rate of €1 = $1.11. For Sony, it meant a rate of 1 Yen = $0.0092. Warner Music Group [3,147 articles]" href=" Music Group reports its results in the ‘root currency’ of USD, which we left unchanged for both 2016 and 2017.It hopefully goes without saying that what happened to the revenues flowing into the major companies – including the proportion that was paid back out to independent label and artist distribution partners – is not reflected in these figures.[Pictured: Kendrick Lamar – one of Universal Music Group’s biggest-selling artists of 2017]Music Business Worldwide
2025-04-06Search the site... New Music Kyle Ft. Lil Yachty - iSpy. Listen or Download the song for free on Rap4ever. Listen to Melii's Rowdy New Single, 'Shit Talk' on Audiomack. Melii’s latest single, “Shit Talk,” is a rowdy and splintering show of skill and aggression.Melii is one of the most exciting rappers coming up in New York.Also known as SuperDuperKyle or K.i.D., Ventura-based MC Kyle is heavily influenced by the '80s, and not just the decade's brand of hip-hop, but that era's video game music as well. He debuted in 2013 with Beautiful Loser, a record that featured guest spots from G-Eazy and was released by the vanity label Hey Kyle. A year later, the album was picked up by Indie Pop, the same label that released his 2015 effort, Smyle. Filled with positive songs, a spot by Chance the Rapper, and video game samples, the album cracked the Billboard 200 albums chart. His 'iSpy' single arrived at the end of 2016.It featured vocals by Lil Yachty and peaked at number four on the Billboard Hot 100. In early 2017, Kyle signed with Atlantic and released the Cousin Stizz-assisted 'Want Me Bad.' His next single, 'Not the Same,' appeared on the soundtrack to the film Sleight.A handful of non-album singles followed including 'Nothing 2 Lose,' 'Sunshine,' and 'All Mine,' the latter two of which featured Miguel and MadeinTYO, respectively. David Jeffries.
2025-03-28Bandcamp DailyThe Daily lists ·features ·album of the day ·view all Bandcamp Daily Best of 2024 Best of 2023 Best of 2022 Best of 2021 Best of 2020 Best of 2019 Best of 2018 Best of 2017 Best of 2016 Best Ambient Best Beat Tapes Best Dance 12”s Best Electronic Best Experimental Best Contemporary Classical Best Hip-Hop Best Jazz Best Metal Best Punk Best Reissues Best Soul Best Folk Best Field Recordings Best Club Music Best Country Franchises Lists Features Album of the Day Acid Test Bandcamp Navigator Big Ups Certified Gallery Hidden Gems High Scores Label Profile Lifetime Achievement Resonance Scene Report Essential Releases Shortlist The Merch Table Genres Acoustic Alternative Ambient Blues Classical Comedy Country Devotional Electronic Experimental Folk Funk Hip-Hop/Rap Jazz Latin Metal Pop Punk R&B/Soul Reggae Rock Soundtrack Spoken Word World Podcasts Get to know the labels behind the music. 1 to 30 of 392 LABEL PROFILE · March 10, 2025 Thirty Years of New York Reggae Label Easy Star LABEL PROFILE · February 24, 2025 Naviar Records Turns Poetry Into Sound LABEL PROFILE · February 07, 2025 A Second Life for The Avant-Jazz of Leo Records LABEL PROFILE · January 29, 2025 Diving Into Beirut’s Revolutionary Ruptured Records LABEL PROFILE · January 15, 2025 How Mizuha 罔象 Became Ambient Trance’s Hottest Label LABEL PROFILE · January 08, 2025 Where to Start With Tempa, The Label That Invented Dubstep LABEL PROFILE · November 19, 2024 Post-Rock’s Most Ambitious Label Turns Fifteen LABEL PROFILE · October 23, 2024 The Ad Hoc Success Of Night School Records LABEL PROFILE · October 21, 2024 In-Correcto Captures the Sound of Contemporary Bogotá LABEL PROFILE · October 15, 2024 DD. Records Documented DIY Post-Punk in 1980s Japan LABEL PROFILE · September 18, 2024 Rotten \ Fresh is Lisbon’s Most Exciting Underground Label LABEL PROFILE · August 27, 2024 From Metalhead to House Maestro: Andy Compton Celebrates 25 Years of PENG LABEL PROFILE · August 19, 2024 Metaphon Give Forgotten Composers A Chance to Shine LABEL PROFILE · August 12, 2024 Siren for Charlotte is Redefining Shoegaze LABEL PROFILE · July 29, 2024 Glitterbeat Records Fosters Artistic and Geographic Diversity LABEL PROFILE · July 24, 2024 The Infinite Reflections of Vanity Records LABEL PROFILE · July 22, 2024 Nekubi Celebrates A Decade of Cosmic Beat Tapes LABEL PROFILE · July 18, 2024 Folklore Tapes Is More Than a Record Label—It’s A Research Project LABEL PROFILE · July 03, 2024 Jazz re:freshed Continues to Be Ground Zero for the New London Jazz Scene LABEL PROFILE · June 18, 2024 Harriet Records Keeps Making Indie Pop History LABEL PROFILE · June 13, 2024 How MLP-Music Became the Internet’s Largest Collection of Arabic Music LABEL PROFILE · June 03, 2024 Ephyra Is The Label Driving Hardcore’s Future LABEL PROFILE · May 28, 2024 Mannequin Records’ Industrial-Strength Coldwave LABEL PROFILE · May 23, 2024 Taking Stock of SVBKVLT’s Global Club Offerings LABEL PROFILE · April 30, 2024 Aparté Offers Fresh Thinking about Older Music LABEL PROFILE
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