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What does Jinnee mean?Jinnee as a girls' name is a variant form of Jinny: nickname of Virginia.STARTS/ENDS WITH Ji-, -neeVariationsVARIANTS Jinnie, Jinni, Jinna CREATIVE FORMS(female) (male) MIDDLE NAME PAIRINGSJinnee Maliah (J.M.), .. How popular is Jinnee?Jinnee is an unusual given name for women. Jinnee is an equally uncommon last name for all people. (2000 U.S. CENSUS)Which version is better?The only popular alternative form of Jinnee (OUTSIDE TOP 2000) rated in the Top 2000 is Jinnie. Adoption of this form of Jinnee reached its most widespread during the years 1900-1909 (#1651). (2018 U.S. SSA RECORDS)Similar NamesJinnee is alike in pronunciation to Gennie, Ginny, Jainee, Janaeh, Janee, Janna▼, Janney▼, Janny, Jeanae, Jenie, Jenna▼, Jennah, Jenney, Jennie▼, Jiana, Jianna, Jina, Jinia, Jinnea, Jinnie, Jinny, Johnnae, Johnnie▼, Jonna and Jonnie. Other suggested similar-sounding names are Binnie, Bonnee, Bunnee, Cindee, Cinnie, Connee, Dannee, Dinnie, Fannee, Gingee, Jaine, Jane▼, Jann, Janne, Jannel, Jannet, Jaymee, Jayne▼, Jeane▼, Jeanne▼, Jenn, Jennet, Jineen, Jinger, Jinnet, Jinnett, Joane, Joanne▼, Jone, June▼, Kinnsee, Kinzee, Lindee, Linnae, Linnea, Linnet, Linnie▼, Mindee, Minne, Minnee, Minnie▼, Pennee, Ronnee, Sidnee, Sindee, Sinnie, Sunnee, Vinnie▼, Winne and Winnie▼. These names tend to be more commonly used than Jinnee.

Back to the 1800s, when painters had flocked there to take advantage of the seashore’s distinct sunlight. (“If you spend time lying on the granite around here, you get creative powers,” one resident told Lundberg). As Jinnee and Aino dove into the lessons, other members of the community began joining them.The Folly Cove Designers “diploma,” presented to each member by Virginia Lee “Jinnee” Demetrios upon their entrance to the guild. Cape Ann MuseumThus began the Folly Cove Designers (FCD), a ragtag group of locals united by their desire to fill their lives and their minds with a particular form of well-thought-out beauty. Many members were, like Aino Clarke, the children of Finnish immigrants, and sought to combat the economic and emotional hardships of the Great Depression. Others were so-called “Yankees,” who had moved permanently to Folly Cove after vacationing there as children, and who wanted something new to do. Eino Natti, one of the group’s few male members, was an Army veteran and former quarryman—experiences he drew on for prints such as Polyphemus, of a granite-carting train, and PT, which shows near-identical soldiers in mid-squat. Elizabeth Holloran, the local children’s librarian, printed young people skiing and sugaring. “A majority of them were never artists,” says Cara White, director of the Cape Ann Museum’s Folly Cove gallery. “They were editors, architects, housewives, accountants.”This didn’t matter to Jinnee, who was convinced that—through practice—anyone could learn design. To enable this, Jinnee put her students through a rigorous artistic process that cycled with the seasons. In the fall, members met in the Folly Cove Barn for class, learning Jinnee’s guiding design principles and choosing subjects for their prints. Jinnee steered her students away from lofty or imagined subjects, and encouraged them to find inspiration in everyday Cape Ann life.The resulting familiarity and love, she believed, would come out in the design. Jinnee herself printed everything from commuter trains to spring lambs to her fellow guild members, gossiping over mailboxes cheekily labeled “VLB,” “AC,” and “FCD.” When it came time to ink these designs, she often chose the greens and browns of an omnipresent local plant—seaweed.George's Garden, by Virginia Lee "Jinnee" Demetrios, printed in her favorite color." width="auto" data-kind="article-image" id="article-image-33618" loading="lazy">George’s Garden, by Virginia Lee “Jinnee” Demetrios, printed in her favorite color. Cape Ann MuseumDuring this time, members also did what Jinnee called “homework”—painstaking, repetitive drawing exercises, meant to help the artists get to know their subjects inside and out. “If a student wanted to feature an apple in her design, she had to fully explore the fruit: the whole apple, its sections, the seeds, the blossom,” writes Jennifer Scanlon, a professor of Gender, Sexuality, and Women’s Studies at Bowdoin College and the author of

One by one, the prints unfold before you. One shows sheep leaping in the grass, another, children on a tree-hung swing, the moon shifting above them. All are charming, sophisticated, and unbelievably detailed. They take the essence of everyday objects and activities, and unspool them into mesmerizing patterns. No matter how much you may want them, though, you can’t get these prints on Etsy. In fact, you can’t get them anywhere.They live mere miles from where they were produced, at the Cape Ann Museum in Gloucester—the last bastion of the nearly forgotten Folly Cove Designers. Helmed by a children’s book illustrator and comprised of her previously untrained friends and neighbors, the Folly Cove Designers were hardworking, tight-knit, and sincere—so sincere, they eventually voted themselves into obscurity.To children worldwide, Virginia Lee Burton is the beloved hand behind half a dozen classics, including Mike Mulligan and His Steam Shovel, Katy and the Big Snow, and The Little House, intricately illustrated tales of close-knit communities. But to her neighbors at Folly Cove, on the north shore of Massachusetts, she was Jinnee Demetrios. Jinnee and her husband, the sculptor George Demetrios, moved to the area in 1932 with their one-year-old son Aristides, who was soon followed by Mike. The couple quickly became community pillars, making art all day, and spending evenings gathering their friends and neighbors for raucous sheep roasts.The Folly Cove Designers in 1949, outside the barn where they worked. Cape Ann Museum“Folly Cove gets its name because it would be folly to bring a ship in and turn it around,” says Christine Lundberg, producer of the film Virginia Lee Burton: A Sense of Place, as well as the upcoming Beautiful and Useful: The Art of the Folly Cove Designers. This ethos carried over into the rough-and-ready town life. “You couldn’t get pretty little things,” says Lundberg. “If you wanted them, you had to make them.” An artist through and through, Jinnee surrounded herself with homemade treasures, including, as the story goes, a particularly nice set of block-printed curtains. One of her neighbors, Aino Clarke, admired the curtains so much she wanted to make her own. Jinnee and Aino struck a deal: Jinnee would give Aino top-to-bottom design lessons if Aino, a member of the local orchestra, would teach Jinnee’s sons the violin. (A less legendary, but perhaps more truthful, version of this tale holds that Aino suggested Jinnee give design lessons to her neighbors in exchange for money to buy the necessary paper to illustrate her first book.)Regardless of exactly how the two came together, Jinnee’s flint struck on Aino’s iron sparked an artistic movement. Within its rock-hard exterior, Folly Cove harbored a vein of artistic impulse that dated all the way

What does the fisherman draw from the sea the fourth time he casts his net?what does the fisherman do with the bottle?he was originally going to sell it but he decided to open itwhat did the fisherman find the first time he cast the net?what did the fisherman find the second time he cast the net?vessel filled with mud and sandwhat did the fisherman find the third time he cast the net?How does the fisherman try to persuade the jinnee not to kill him?He asks the jinnee how he can fit in such a small bottle, he goes on invoking the jinnee until it gets so mad it proves the fisherman wrong by going back inside the bottleWhat is the jinnee's last offer to the fisherman?he promises the fisherman richeswhy does the jinnee try to offer riches to the fishermanhe hopes that since he is human, he'll cripple at the thought of moneywhat kind of books does Don Quixote like to read?what affect do the books of chivalry have on Don?they make him believe he is a knightwhy does Sancho Panza become Don's squire?he agreed because Don promised him an island and he would be governor of that islandhow does Don explain his loss to the windmill?he says an evil magician turned the giant into a windmill at the last secondwhat natural human needs does Don ignore, but Sancho does not ignore?what is Dante's state of mind at the beginning of the Infernohow does Virgil offer to help Dante?Virgil offers to guide him around hell

The guild cancelled the contract.The money that did come in propelled the group forward—some members made a living off of it. But in the mid-’60s, Jinnee, an avid smoker, developed lung cancer. As she sickened, guild members helped her continue working; Natti even cranked the press for her, an act previously forbidden under the group’s DIY ethos. But when she passed away, in 1968, they voted to disband. Over the course of the next year, they sold the barn and gave their inventory to the Cape Ann Historical Society, now the Cape Ann Museum. The members, and all the businesses they had worked with, agreed never again to reproduce any of the group’s prints.The Ocelots, on display at the Cape Ann Museum." width="auto" data-kind="article-image" id="article-image-33617" loading="lazy">Detail of Virginia Lee “Jinnee” Demetrios’s The Ocelots, on display at the Cape Ann Museum. Lilia KilburnIn Mike Mulligan and His Steam Shovel, perhaps Jinnee’s most famous work, Mike and his machine, Mary Ann, volunteer to dig the foundation for a new town hall. After finishing the job in a single day, they find themselves stuck down there, unable to get out. Rather than scrapping the steam shovel or undoing her work, the community decides to transform her into the town hall’s furnace, and Mike into the building’s janitor. They figure her indomitable spirit will warm the town for decades to come. In this way, Jinnee’s dedication warmed the community she formed, even after her death. “She wanted people to have art in their daily lives, and she believed that people get something fundamental out of hard work,” says Scanlon. “It became an important component of who they were, and how they participated in the world—and, probably most importantly, how they saw themselves in their everyday lives. As community members, as housewives, but also as people who produced something beautiful.”This story originally ran on August 21, 2016.